Naturalistic jewels inspired in blossoms and leaves, the stars, the moon, and very intimate symbolism. The revisiting of foreign and ancient jewellery making techniques. The most charming and soft shaped old cut stones. We love the intricacy of 19th century jewels.
A 5 ct old mine Colombian emerald set in a devant de corsage or stomacher brooch with a foliate design set with old mine cut diamonds. Russia late 19th century.
A diamond and pearl brooch, circa 1860, the heart-shaped openwork brooch set with old brilliant cut diamonds of estimated total weight 3.10 carats, and three natural, coloured pearls. Silver over gold. With GIA certificate for Natural Coloured Pearls. Weight 13.35 grams. Width 4cm.
Each surmounted by an old-mine cut diamond of respectively 1.02 and 1.08 carats, suspending an old-mine cut diamond of respectively 2.55 and 2.36 carats, each stone within a pinched collet setting, mounted in 18k yellow gold and silver, circa 1890. Earring fittings of later addition, circa 2.0 x 1.0 cm
31 oval Amethysts set in rose gold, 38 cm long. circa mid 1900’s
In yellow gold, the articulated fancy link body set with cabochon turquoise and suspending a tassel pendant, unmarked, 19.0cm, 26.3g. circa 1880’s
Two starburst brooches set with round old European cut diamonds on a silver-over-gold setting. English circa 1880’s.
A turn of the century ring centering a pear shaped sapphire of 2.3 cts accented by old European cut diamonds set in platinum over 18kt gold. The central sapphire is accompained by a AGL report stating that the natural sapphire is unheated and of Thai origin. Probably English circa 1900.
The central old European cut diamond of circa 0.98 cts is flanked by a round sapphire and a round ruby and set on a curved platinum plaque set with diamonds. The ring is 18kt gold, American, early 20th century
A sharpeh set with circa 4.75 cts of Old Mine and Rose cut diamonds in silver over gold, en tremblant, with box. English circa 1880s
The 19th century silver over gold floral components set with circa 5.7 s of old mine and rose cut diamonds are now converted into evocative earrings of different sizes.
We converted this 19th century silver over gold circle brooch into a powerful statement ring by setting the circle onto a handmade ring made of 18kt rose gold with a matte finish.
The 19th century silver over gold floral component set with circa 2.2 cts of old mine and rose cut diamonds is now suspended on a 18kt rose gold chain as a simple pendant necklace.
Designed as a star centering upon an Old European Cut diamond circa 1.20 cts and 48 round diamonds for a total weight of circa 7.8 cts. set in silver over gold, with removable brooch mechanism, security chain and can be also worn as a pendant. a pendant. Probably English, circa 1890's, 4.5 cm diammeter
The antique brooch set with old cut diamonds on silver over gold, now transformed into a 18k rose gold and single cut diamond bangle bracelet
Originally designed in 1890s as a flower brooch, set with circa 3 cts of Old Mine and Rose cut diamonds in silver over 18kt gold. The hand made 18kt rose gold ring shank of later addition.
A naturalistic grape vine set with old cut diamonds in highly articulated silver topped gold. Length circa 6 cms.
19th century crescent moon brooch set with old cut diamonds, ruby, sapphire on silver over gold mounting. English 1880s
French 18k Gold leaf Brooch set with a rose cut diamonds and cabochon rubies depicting dragonflies over bamboo leaves scene.
Designed as a series of articulated fancy links, the head embellished with turquoise cabochons between cabochon garnet eyes, the eyes and mouth highlighted by rose diamonds, the snake's mouth is open to reveal gold fangs and serves as the clasp, gross weight approximately 48.95 grams, circumference approximately 400mm.Accompanied by a fitted case signed Mortimer & Hunt, 156 New Bond Street.
Pave-set with diamonds and highlighted with ruby and emerald. Mounted in platinum and 18K yellow gold, with French assay and maker's mark. Circa 1900.
19th century 10 point star brooch set with 5 cts of Old European cut diamonds in silver over gold
The 18th century oval shaped plaque set with foiled back diamonds in silver over gold has been transformed into a ring with a handmade 18kt rose gold mounting in matte finish. Total weight of the diamonds is approximately 2.5 cts. The plaque circa late 18th century and it measures 2.6 x 2 cm, the handmade ring is modern, finger size USA 6
19th Century Pearl and diamond Leaf brooch
19th century ruby and diamond horseshoe brooch. Burmese rubies, old cut diamonds, silver over gold, English circa 1880
Depicting a portrait of a dog on enamel, framed by rose cut diamonds. France 1890s
Articulated long earrings set with rose cut diamonds on silver backed settings, circa 1780's
The antique, old cut diamond diamond studs set in silver and gold with earstud gold fittings of later addition.
19th century snakes ring, gold set with an old cut diamond and a ruby.
Comprising of: a necklace composed of 12 circular plaques, each
inlaid with copper and 9ct gold plated shakudo-work, depicting various
species of bird, including crane, pheasant and quail, amongst flowers
and foliage within borders of corded decoration; the six plaque
bracelet en suite, necklace length 455mm, bracelet length 180mm,
total gross weight approximately 139 grams (2).
The 20th century sees the introduction of platinum to create delicate open work jewels in the “Garland Style” inspired by flowers, bows and embroideries in a monocromatic white look of diamonds, platinum and pearls.
Platinum and diamond brooch with floral open work design and detachable tassel drops. circa 1905.
1910’s American platinum and diamond brooch of ribbon or bow design. Old European cut diamonds set in platinum, articulated ribbon ends.
The delicate open worked platinum circular pendant set with old cut diamonds around a button pearl. France 1910’s.
A circle brooch and pendant of open work platinum set with round old cut diamonds in America, circa 1910’s
1910’s Giardinetto brooch set in platinum with diamonds, garnets, rubies and sapphires
Lavender sapphire set in platinum and open work diamond ring, 1910’s
1910’s circular pendant with a central carving depicting Mary, with a background of plique a jour enamel replicating a vitrine and a frame of rose cut diamonds and natural pearls. 18kt gold, French, with the carving signed by Vernon.
Frédéric-Charles-Victor de Vernon was a master medallion maker who worked mainly for Cartier at the turn of the century, making religious and patriotic pieces.
Set with single cut diamonds with gold hair clip fitting
The pearshaped aquamarine suspending from an open work plaque sset with an emerald cut aquamarine and diamond accents. France circa 1910
A pair of platinum and diamond link bracelets set with old cut round diamonds for a total of circa 4.5 cts. The bracelets join to form a choker necklace or a longer necklace with a diamond set necklace attachment.
A new direction in the design and creation of jewels, with sharp, geometric patterns celebrating the machine age as well as inspiration from near and far away places to celebrate a new era of international luxury.
1920’s Cartier Paris carved ruby, emerald, diamond jabot brooch in platinum
1920’s long platinum chain set with round diamonds, carved rock crystal beads, onyx beads and natural pearls
A pair of 1920’s Art Deco platinum, diamond and onyx clips set with circular old cut diamonds for a total of 3.5 cts and calibrated onyx can also be worn on a handmade white gold and black Chinese lacquer bracelet of later addition.
1920’s three-stone ring set with three marquise cut diamonds, cut-to-fit triangular emeralds and diamonds in platinum.
1930’s articulated platinum bracelet with a line of French cut sapphires flanked by two lines of old European cut diamonds
1930’s platinum engagement ring centering upon a round Old European cut diamond of 2.03 cts certified by the GIA as I colour, VS2 clarity and flanked by a pair of tapered baguette emeralds to the platinum ring, signed YARD
1920’s American Art Deco clip brooch. Centering upon a jade carving depicting a garden scene, accented by diamonds and cut to fit rubies
Art Deco bangle bracelet in platinum set with a line of square cut Burmese rubies for a total of circa 9 cts. Hand engraved, probably American, 1920’s
A pair of 1920’s Art Deco platinum and diamond clips set with square and circular old cut diamonds for a total of 8.9 cts . The clips can also be worn on a handmade white gold and black Chinese lacquer bracelet.
A pair of 1920’s Art Deco platinum, diamond and onyx and coral clips set with circular old cut diamonds for a total of 3.5 cts and cut-to-fit onyx and coral cabochons can also be worn on a handmade white gold and black Chinese lacquer bracelet of later addition.
Of floral design, set with a fancy vivid yellow diamond, carved sapphires, rubies and diamonds in platinum, 1920’s.
The geometric strap set throughout with old European-cut diamonds together weighing approximately 6.00 carats and calibre-cut sapphire decorative, completed by an invisible clasp, length approximately 185mm.
ART DECO 1920's PLATINUM, DIAMOND AND ONYX BRACELET 4 old European-cut diamonds ap. .40 ct., small single-cut diamonds, ap. 12.4 GR. Length 18.5 cms .
Composed of two clips with a central link, of openwork design, set with baguette, square step and old European-cut diamonds, estimated total diamond weight 3.00 carats, platinum and gold
The jewels of the 1940’s reflect the desire for luxury and opulence after the war. Women joining the work force and the “New Look” of fashion prompted this new and striking design, featuring mostly rose and yellow gold set with soft coloured stones and diamonds.
1940’s gold and diamond flower brooch by Cartier, Paris. Set with round brilliant cut white diamonds and retractable petals of mesh gold. Signed and numbered
A coral heart is set in the center of a target and shot by a diamond set arrow. Made in Franmce for the American market
Designed as a naturalistic orchid flower with 18kt gold petals and set with pave diamonds in platinum and invisibly set rubies in gold. 1940’s France
1940’s Cartier France “Coffee Bean” leaf broch set with diamonds over a textured an open work 18kt gold leaf design. Signed and numbered
1940’s 18kt gold articulated Tank bracelet
An articulated 18kt rose gold bracelet, 1940’s.
Centering upon a cabochon Ceylon sapphire of circa 2.8 cts set in a “chevalier” style platinum topped rose gold ring accented by pave set round diamonds of circa 0.9 cts. American 1940’s.
a Highly domed white gold plaque is set with old cut diamonds to the ribbed gold shoulders. French Marks, late 1930’s
From totally abstract designs to the whimsical representation of birds or flowers, we love the dynamism of French jewellery of the 1950’s and 1960’s. The contrast of brilliant and step cuts and the intricate finishes of the metals give brilliant texture to the pieces of this glamorous period of history.
A pair of clip brooches of spray design, set with round and baguette cut diamonds in platinum. Van Cleef & Arpels NY, 1947. Signed and numbered.
1950’s platinum and diamond link bracelet set with round and square cut diamonds for a total weight of circa 25 cts, by Cusi, Italy
Stylised leaf in platinum set with baguette and round diamonds for a total weight of circa 8 cts. Probably English, with French import marks, 1950’s.
One highly articulated bracelet set with circa 13 cts of round rubies in three rows with intercepting round diamonds for circa 3.5 cts. Set in highly articulated 18kt gold and platinum for the diamonds.The sapphire bracelet of similar design is set with 3 rows of round sapphires for circa 14 cts and 3.5 cts of diamonds. 1950’s France, with makers marks for Verger.
Designed as a stylised bird in flight with a red coral body set with a diamond eye and textured 18kt gold feathers accented with circa 3 cts of round diamonds set in platinum. Marks for Vacheron, France 1960’s
A central cluster of round diamonds circa 1.6 cts finished by textured gold petals. Signed and numbered, France 1960’s.
A wide 5 row braided gold bracelet set with 3.25 cts of round diamonds and finished by 18kt gold and and diamond set tassels. Makers marks, France 1950’s
Of ‘Grain de Ble’ design, set with 2.4 cts of round diamonds and with removable pear shaped citrine drops of circa 2.8 cts Signed and numbered 5727. France 1960’s
An 18kt mesh gold evening bag set with circa 3.2 cts of diamonds in platinum. Signed, numbered. France, 1960’s.
A realistic bow set with 6.5 cts of round diamonds in platinum. France 1950’s
A central oval cut ruby of 2.21 cts is surrounded by a row of round brilliant cut diamonds and a second row of clusters of round rubies circa 0.65 cts and diamonds 3.5 cts. Signed and numbered. American 1960’s. Accompanied by an AGL certificate stating that the 2.21 ct central ruby is of Thai origin, unheated.
A central round Burmese ruby of 1.04 cts is surrounded by circular diamonds to the platinum ring accented by two diamond set bows. American 1950’s.
A Blackamoor pendant in 18kt gold set with garnets and diamonds to the carved ebony face. Signed, Italy 1960’s
Of by-pass or Toi-et-Moi design, with a pear shaped Burmese sapphire of 2.82 cts facing a pear shaped diamond of 1.20 cts to the tapered baguette cut diamond set platinum band. The sapphire is accompained by a AGL report for natural, unheated and of Burmese origin. 1950’s American.
Centering upon an oval cut diamond weighing 1.09 cts and certified by GIA to be F colour, VS1 clarity. The central diamond is surrounded by 10 pear shaped emeralds circa 2 cts and 10 round brilliant cut diamonds circa 4 cts to the platinum shank.. American 1960’s.
Of circular case and winding movement, set with circa 4.7 cts of diamonds, signed. 1950’s American.
An emerald cut aquamarine of 16 cts is set in a platinum ring with a split shank accented by 0.50 cts of round diamonds. Italian, 1960’s
Designed as a brilliant-cut diamond set knot suspending four rows of polished round emerald beads, signed M. Gerard, André Vassort maker's mark, numbered, French assay mark, estimated total diamond weight 7.60 carats, 18ct gold, weight 35.0gm, length 19.5gm.
Since the 1960s the boundaries of jewellery have been continually redefined. Conventions have been challenged by successive generations of independent jewellers, often educated at art college and immersed in radical ideas. From the minimalist to the oversized, from precious metals to new materials and techniques to adorn the body in an artful manner.
An 18kt textured gold bracelet set with cabochon turquoises in a “Peanut” or “barber bracelet” design. Signed Cartier, Italy, 1970’s.
A rectangular emerald cut diamond of 1.78 cts is flanked by a pair of rectangular emerald cut diamonds totalling 1.21 cts. The center stone is accompanied by a GIA report certifying that the diamond is G colour, VVS2 clarity. Set in a handmade platinum ring.
18kt textured gold and black and red enamel leopard with cabochon emerald eyes, Van Cleef & Arpels, signed, numbered, France 1970’s.
18kt gold domed ring designed as a cluster of daisy flowers set with diamonds and rubies. Signed, numbered. France 1990’s.
A wide and domed band ring pave set with circa 4.2 cts of round diamonds, and cut to fit buffed top cut emeralds, rubies, sapphires. Signed, numbered, 1980’s, France
An ovesized brooch designed as a naturalistic orchid flower in 2 tones of textured 18kt gold with diamond set white gold pistils. Signed, Italy, 1990’s.
A wild boar’s head sculpted in bronze and accented by diamond set 18kt gold, ruby eye. Signed, numbered. France 1980’s
A domed 18kt gold ring centering an oval ruby of 0.80 cts and pave set with 0.60 cts of diamonds. Cartier, signed and numbered, France 1980’s.
A contemporary handmade platinum cluster ring centering upon an untreated Burmese red spinel of 4.82 cts and surrounded by oval diamonds for a total weight of 0.80 cts. The 4.82 ct spinel is accompanied by a AGL report certifying the stone as Burmese origin and untreated.
A tapering band ring of twisted silver and 18kt gold by Boivin, France 1970’s.
Centering on a cabochon onyx piece set in gold with diamond accents to the ring shank. Italy 1980’s
An 18kt gold cosmos flower brooch pave set with diamonds totalling 3.58 cts. Signed, numbered. Van Cleef & Arpels, France 1990’s
Designed as two loving swans in fluted angel skin coral, the eyes set with emeralds and with diamond accents. Italy 1970’s
It is the major jewellery houses that create the styles that collectors follow, so it is normal that pieces signed by Cartier, Van Cleef & Arpels, Bulgari are highly sought after worldwide. From France to Italy and America, we love these iconic pieces and we are always looking to collect them and share them with You.
A pair of clip brooches of spray design, set with round and baguette cut diamonds in platinum. Van Cleef & Arpels NY, 1947. Signed and numbered.
Important collar necklace, Comet collection, set with cultured pearls and diamonds, signed and numbered. France 1990’s
Designed as a flower centering upon a Colombian emerald over 10 cts surrounded by variously cut diamonds, set in platinum and gold, American 1910’s
A long link chain in carved coral and textured gold that also becomes three bracelets. With matching earrings, signed and numbered. France late 1960's
Royal Provenance, from Hassan II to Fabiola Queen of the Belgians in its original case.
Comprising a necklace with a V-shaped front composed of an oval pendant, centering a hammered gold dome in a diamond pav surround, with channel-set baguette-cut diamonds and cabochon-cut ruby accents, the back composed of two strands of cultured pearls; together with a pair of earclips and matching ring, each featuring a hammered gold dome in diamond surrounds and ruby cabochon accents, diamonds estimated to weight a total of circa 15 carats, rubies estimated to weight a total of circa 17 carats, each mounted in 18k yellow gold and platinum, each elements with French assay marks and makers mark for Joseph Chaumet, necklace and one earring signed Chaumet Paris, circa 1980, with original red leather fitted case signed Chaumet Paris, 12 Place Vendome, Londres, Bruxelles, Genve, New York, the lid embossed : H II (surmounted by a crown) S.M. la Reine des Belges, necklace length circa 45 cm, earrings circa 2.5 x 2.0 cm each, ring size 54 (14). Designed by Rene Morin as part of the collection Pierres D'Or, inspired by the coats of arms present on the facade of Parisian buildings.
Provenance:
This parure was a gift from King Hassan II of Morocco to Fabiola, Queen consort of the Belgians
A yellow sapphire and diamond set flower central pendant to the torssade and tassel amethyst bead necklace. Monture Cartier France 1980’s
Van Cleef & Arpels 18k white gold and diamond set flower pendant on a sliding white gold chain. Signed, numbered, French and makers’ marks
One highly articulated bracelet set with circa 13 cts of round rubies in three rows with intercepting round diamonds for circa 3.5 cts. Set in highly articulated 18kt gold and platinum for the diamonds.The sapphire bracelet of similar design is set with 3 rows of round sapphires for circa 14 cts and 3.5 cts of diamonds. 1950’s France, with makers marks for Verger.
Cartier Paris carved ruby, emerald, diamond jabot brooch in platinum. Signed and numbered. France 1920’s.
Platinum and diamonds, Cartier NY 1924
Textured and highly articulated gold bracelet with diagonal sections set with cabochon lapis. Signed Cartier and made in Italy, with marks for Pomellato
A natural button pearl set in platinum and white and colored diamonds with carved tourmalines as petals. Signed, numbered.
A flower brooch set with rubies and diamonds with textured gold petals. Tiffany & Co, American 1950’s
1960’s platinum and gold pansy flower brooch set with round diamonds, pink sapphires and emeralds. Signed Tiffany & Co.
1930’s platinum engagement ring centering upon a round Old European cut diamond of 2.03 cts certified by the GIA as I colour, VS2 clarity and flanked by a pair of tapered baguette emeralds to the platinum ring, signed YARD
A wide and domed band ring pave set with circa 4.2 cts of round diamonds, and cut to fit buffed top cut emeralds, rubies, sapphires. Signed, numbered, 1980’s, France
Of ‘Grain de Ble’ design, set with 2.4 cts of round diamonds and with removable pear shaped citrine drops of circa 2.8 cts Signed and numbered 5727. France 1960’s
Carved mother-of-pearl petals, platinum and diamond center. Signed and numbered.
A central cluster of round diamonds circa 1.6 cts finished by textured gold petals. Signed and numbered, France 1960’s.
1940’s Cartier France “Coffee Bean” leaf broch set with diamonds over a textured an open work 18kt gold leaf design. Signed and numbered
Designed as two loving swans in textured 18kt gold, the eyes set with rubies and with diamond and emerald accents. Signed, numbered, France, 1960’s
18kt gold domed ring designed as a cluster of cosmo flowers set with diamonds and rubies. Signed, numbered. France 1990’s.
18kt textured gold and black and red enamel leopard with cabochon emerald eyes, Van Cleef & Arpels, signed, numbered, France 1970’s.
An 18kt mesh gold evening bag set with circa 3.2 cts of diamonds in platinum. Signed, numbered. France, 1960’s.
Designed as a stylised bird in flight with a red coral body set with a diamond eye and textured 18kt gold feathers accented with circa 3 cts of round diamonds set in platinum. Marks for Vacheron, France 1960’s
Dress ring centering two round unheated Ceylon sapphires, to the baguette cut diamond, platinum and textured gold ring, signed Sterle Paris, numbered. France 1960’s.
An 18kt gold cosmos flower brooch pave set with diamonds totalling 3.58 cts. Signed, numbered. Van Cleef & Arpels, France 1990’s
A tank style ring pave set with diamonds in 18kt gold. Signed and numbered, France 1980’s
Designed as a panther resting over a tri color twisted gold band, emerald eyes and enamel nose. Signed, numbered, France 1990’s
18k white gold, pave diamonds. Signed Frank Ghery for Tiffany & Co.
Designed as a bird on a branch in 18kt gold, set with rubies, sapphires and emeralds. Signed and numbered, France 1958
Fluted white coral, diamonds, 18k gold, signed and numbered. France 1970’s.
18kt gold shells set with round diamonds, commemorating 25 and 30 years of service at the Shell company. Signed, France 1950’s
Mid century 14k gold link bracelet. Signed. American, 1940s
Toi-et-moi or twin ring, set with a tourmaline and an aquamarine in 18k gold. Signed, Italy 1980’s.
18kt, signed, American 1960’s
Carved angel skin coral and diamonds set in 18kt gold by Van Cleef & Arpels, France 1970’s
Central cabochon amethist bezel set in gold to the carved ceramic dome shaped ring. Bulgari, Italy 1990’s
Mid century 1960’s braided gold and diamond bracelet, Van Cleef & Arpels 1960’s
Whimsical leopard with enamel spots and emerald eyes, signed. 1960’s.
1930’s Art Deco platinum and diamond watch, Rolex
The textured gold brooch representing two roses in bloom. Buccellati, Italy 1960’s
Cabochon amethyst in a starburst design by Paloma Picasso for Tiffany & Co 1990’s
An articulated and flexible “tubogas” style 18kt gold ring designed as a coiled snake with a pear shaped sapphire. Signed, Italy, 1980’s.
Textured 18k gold, diamond and ruby details, Tiffany, France 1960’s
The tropical bird with enamel feathers and diamond set eye. Bulgari, Italy 1960’s
the rose gold target centering a carved coral heart hit by a diamond set arrow. Cartier 1940’s
The 18kt domed ring set with cabochon sapphires. Chaumet, France 1960’s
The wild boar in bronze, with textured gold and diamond and ruby set details. Chaumet France 1970’s
A central ruby set in an 18kt gold domed ring with a brick pattern set with diamonds. Cartier France 1990’s
A stylized fan of textured gold set with diamonds and ruby accents. Cartier NY 1950’s
An ovesized brooch designed as a naturalistic orchid flower in 2 tones of textured 18kt gold with diamond set white gold pistils. Signed, Italy, 1990’s.
Gold, Platinum, Blue Guilloché Enamel and
Diamond Pendant-Watch Necklace ,
mechanical, circular silver-tone engine-turned
dial, black Arabic numerals, outer track indicator,
blue guilloché enamel case, stem-wind and set,
5 rose-cut diamonds, dia. ap. 28 mm., dial
signed Dreicer, movement and case signed Haas.
1970's VAN CLEEF & ARPELS CORAL AND
GOLD EARRINGS Designed as a punnet of
berries of red Corallium Rhubrum to the textured
gold foliate. Signed VCA numbered B3046 K 4,
French, 1970's. 18 gr
Articulated 18k
gold bracelet of basket weave design,
French and makers mark, Signed and
numbered. 58 grams
A white gold chain with amethyst and blue topaz and diamond set stations with a central rose cut blue topaz circular pendant. Signed, numbered, Italian 2000’s.
Bulgari Mediterranean Eden earrings with white ceramic drops and amethyst and diamond set connectors. Signed, numbered, Italian 1990’s.
An ancient double sided jade carving depicting Longevity is suspended by a platinum and diamond chain. Signed and numbered.
Designed as a brilliant-cut diamond set knot suspending four rows of polished round emerald beads, signed M. Gerard, André Vassort maker's mark, numbered, French assay mark, estimated total diamond weight 7.60 carats, 18ct gold, weight 35.0gm, length 19.5gm.
Designed as an articulated line of leaves in open work 18kt gold. Signed Ruser, 1960's. 20.5 cm, 62.67 grams
A highly polished 18kt white gold ring, signed and numbered 113412. French and makers’ marks. Finger size USA 6
Cabochon jade set in a gold soft bezel ring.
Alternating rows of round diamonds and marquise cut sapphires set in platinum and framed by textured cord gold. Signed and numbered. Verger Freres for OHB, France 1968
1950'S TIFFANY & CO DOUBLE CLIPS
BROOCH AND EARRINGS with round and
baguette-cut diamonds weighing
approximately 4.5 carats
total, mounted in platinum, Signed and
numbered. Later converted into earclips with
removable earclip mechanism
1960’s Sterlé París gold, Platinum and diamonds necklace and earclips. Signed and numbered
Tiffany & Co. Gold, Platinum, Diamond, CORAL and Turquoise Clip-Brooch 18 kt., 26 round diamonds ap. 2.20 cts.seven reddish orange drop-shaped coral, four dropshaped turquoise, signed Tiffany & Co., 1960’s
CARTIER ART DECO PLATINUM AND
DIAMOND BROOCH. Geometrical Link design
pave set with 150 round diamonds circa 6 cts
and a marquise diamond circa 0.6 cts. Signed
Cartier and numbered 3015704. circa 1920.
Tiffany & Co by Angela Cummings gold, platinum and garnet bead necklace
Inspired by the domed ceilings of the Taj Mahal, these domed earrings set with a round diamond and enamel over textured gold.
Ilias Lalaounis tourmaline and gold ring
Tiffany & Co Signature Gold & Diamond necklace
Designed as a series of textured gold wheat sheaves accented by scrolled spacers set with brilliant-cut diamonds, completed by a concealed clasp, length approximately 190mm, stamped Greece, makers' mark for Ilias Lalaounis.
1990’s Gold and diamond ring in a bamboo design set with diamonds, signed and numbered.
1950’s platinum and diamond link bracelet set with round and square cut diamonds for a total weight of circa 25 cts, by Cusi, Italy
Inspired by the tradition of Lovers Eyes jewelry, a small collection of very sentimental and very personal jewels. All miniature portraits by Robyn Rich
Immerse yourself in the world of Lover's Eye jewelry, where emotions and art converge to create treasures that transcend time. With their elegant beauty and profound symbolism, these exquisite jewels will infuse your life with love and romance, making them an enchanting addition to any collector's repertoire.
Robyn Rich is a Melbourne based artist with a long tradition of miniature portraits, especially those featuring Lover’s Eyes. We were immediately drawn to her intimate universe, the expression of her art work so intense and so emotional.
Quoting directly from her website https://www.robynrich.com/
“I have had a long fascination with eyes, inspired by the tradition and history of Georgian Lover’s Eyes. These tokens of love came before photography and the wealthy would have the eye of a loved one painted and set in a piece of beautiful jewellery, allowing them to carry it with them wherever they went. But apart from that our eyes are amazing windows we look through to see the world and allow others to see into ours. They show our emotion, joy, heartache, longing, tiredness and health. Every one is so individual and unique.”
Our goal was to mount or to frame some of her portraits using old pendant watches or making entirely new pieces like swivel rings, or a few pendants and even a playful line diamond bracelet with a swivel charm.
Get in touch with us to start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
Robyn Rich’s portrait of a child’s loving eye is now framed in a swivel ring handmade in 18k rose gold set with an Australian opal and single cut diamonds.
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
This 19th century pendant watch is now featuring a Lover’s eye portrait by Robyn Rich .
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
A 19th century pendant watch in 18kt rose gold with a Lovers Eye portrait by Robyn Rich . The portrait inspired by Francois Marin-Kavel’s portrait
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
A 19th century pendant watch in 18kt gold with a Lovers Eye portrait by Robyn Rich
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
This 19th century pendant watch is now featuring a Lover’s eye portrait by Robyn Rich .
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
This Australian opal and rose cut diamond swivel ring is handmade in 18k rose gold and is ready to frame the portrait of your Lover’s Eye. Get in touch with us so we can start this process together now.
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
Robyn Rich carefully paints the watch faces while the antique watches are being overhauled.
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
This 19th century pendant watch is now featuring a Lover’s eye portrait by Robyn Rich .
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
This 19th century pendant watch is now featuring a Lover’s eye portrait by Robyn Rich .
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
Robyn Rich’s portrait of a child’s loving eye is now framed in a swivel ring handmade in 18k rose gold set with an Australian opal and single cut diamonds.
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
This Australian opal and rose cut diamond swivel ring is handmade in 18k rose gold and is ready to frame the portrait of your Lover’s Eye. Get in touch with us so we can start this process together
Robyn Rich’s portrait of a child’s loving eye is now framed by a Belle Epoque pendant in enamel, diamond and platinum.
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
This 19th century pendant watch is now featuring a Lover’s eye portrait by Robyn Rich .
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
The miniature Lover’s Eye portrait in enamel by Robin Rich is set on one side of a swivel element, the other side set with an Australian black opal with blue play of color, framed in rose gold with rose cut diamonds.
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
This Australian opal and rose cut diamond swivel ring is handmade in 18k rose gold and is ready to frame the portrait of your Lover’s Eye. Get in touch with us so we can start this process together now.
Start your journey today and let the magic of Lover's Eye jewelry fill your heart and soul.
Contact US to explore or collection of already made pieces or to begin a custom piece for the Lover’s Eye of your choice.
We mounted a 4.12 cts Australian jelly crystal opal as a pendant, the reverse side mounted with Harry's eye portrait in gold and enamel by Robyn Rich.
Our passion for jewellery goes beyond collecting and sharing. We love making one of a kind jewels using our 20 years of experience in fine jewellery and working with expert artisans.
From bespoke projects that start with a loose stone to modifying old jewellery components and transforming them into entirely new pieces.
Making, re-making, or re-inventing, we love to engage in design and transformation with You.
A pair of Art Deco clip brooches can now also be worn on your wrist thanks to the white gold and Chines lacquer bangle bracelet we made.
We used the leafy elements of a 19th century brooch to make these evocative earrings.
We converted this 19th century silver over gold circle brooch into a powerful statement ring by setting the circle onto a handmade ring made of 18kt rose gold with a matte finish.
A pair of round brilliant cut diamonds of 1.77 cts and 1.87 cts are bezel set in 18kt oxydized rose gold frames with white diamond accents, to the 18kt rose gold wires. The two main diamonds accompanied by GIA report stating that the stones are Fancy Deep Yellowish Brown, natural colour.
Of scroll design set in platinum with baguette and round cut diamonds for circa 4.8 cts, with 18kt white gold clips with French and makers' marks France 1930s. With a handmade 14kt white gold and lacquer bangle (52.35 gr) of later addition so the earclips can be worn as a bangle bracelet
A Padparadscha sapphire mounted in a handmade rose gold and diamond ring
A pair of Art Deco clip brooches can now also be worn on your wrist thanks to the white gold and Chinese lacquer bangle bracelet we made.
The five star elements from a 1960's piece, set with 5 cabochon sapphires 28 cts, OEC dias 2.5 cts in platinum, now set in a later added 18kt rose gold 18.2 grams bangle bracelet. With GSL report AA64827 dated 18-3-21 stating that the 5 cabochon sapphires are of Sri Lankan origin and show no evidence of heat treatment.
We transformed an 18th century diamond plaque into a ring. The diamond set silver over gold plaque is now mounted in an 18kt rose gold handmade ring with matte finish
The coral head facing forward, clean shaven, wearing a fruiting vine, 19mm, width 15mm. Provenance: A private UK single-owner collection formed in the mid 20th century The Hercules Collection of Cameos and Intaglios. The carving now mounted in a handmade 18kt rose gold ring with 67 single cut diamonds weighing 0.22 cts. signed JCC.
The antique agate cameo of a young male now mounted in a 18k rose gold and single cut diamond ring
We used a floral element from a 19th century brooch to make this wearable pendant from an 18kt rose gold chain.
Star shaped pendants centering cabochon sapphires from a mid century brooch now mounted as pendants
The antique brooch set with old cut diamonds on silver over gold, now transformed into a 18k rose gold and single cut diamond bangle bracelet
The ancient Roman coin is now framed in a swivel ring of 18kt rose gold and diamonds
We made a frame of bead set single cut diamonds to set this moss agate, which was part of an antique piece of jewelry.
We made a custom white gold and lacquer bangle bracelet to frame this art deco double clip brooch.
Transformed from an old brooch, the circular shakudo with fan and floral decoration is now bezel set into an 18k rose gold frame set with 80 single cut diamonds totalling 0.29 cts to the rose gold ring, size USA 6 Now resized to 57)
We will travel the world to find that special diamond to celebrate that special moment in your life. From pure white to warm coloured diamonds, from the charm of old mine cuts to the perfect symmetry of an excellent cut, we love diamonds.
Centering upon a square emerald cut diamond of 5.25 cts flanked by a pair of trapezoid cut diamonds weighing 1.75 cts, prong set to the handmade platinum ring
Each surmounted by an old-mine cut diamond of respectively 1.02 and 1.08 carats, suspending an old-mine cut diamond of respectively 2.55 and 2.36 carats, each stone within a pinched collet setting, mounted in 18k yellow gold and silver, circa 1890. Earring fittings of later addition, circa 2.0 x 1.0 cm
With report no 2195612136 dated 04/09/2019 from the GIA, stating the 2.36 carats diamond is of K colour and SI2 clarity (VG-G-Faint)
With report no 1192612103 dated 05/09/2019 from the GIA, stating the 2.55 carats diamond is of G colour and SI2 clarity (VG-G-Med Blue)
Centering upon an old European cut diamond of 1.78 cts, bezel set into a bead set diamond frame and flanked by cut to fit baguette diamonds to the platinum shank. American 1930’s
A loose pear brilliant diamond weighing 7.23 cts and certified by GIA to be G colour VVS2 clarity
A pair of round brilliant cut diamonds weighing 1.77 cts and 1.87 cts bezel set into an oxidised 18kt rose gold frame bead set with white diamonds to the 18kt rose gold wire. The two main stones are certified by GIA as natural coloured Fancy Deep Yellowish Brown
An Old European cut diamond weighing 1.66 cts is box set in a platinum and diamond ring. American 1920’s.
The square emerald cut yellow diamond is set in a yellow gold handmade basket and flanked by a pair of triangular cut diamonds to the handmade platinum band. The main stone accompanied by a GIA report stating that the 1.85 ct step cut diamond is Fancy Vivid Yellow, natural color.
Set with four old European cut diamonds weighing a total of 4.20 cts to the open work platinum settings
The 3.17 ct old mine cut diamond is set in a handmade platinum and diamond ring.
The old European cut diamond weighing 1.99 cts is bezel set and framed by calibrated sapphires and diamond accents to the hand made platinum ring
The square emerald cut diamond 2.11 GIA G/VS2 is prong set in platinum and flanked by a pair of emerald cut diamonds circa 0.6 cts.
We use a discerning eye for colour and rarity to help you collect that special sapphire. From Kashmir to Burma and Sri Lanka, we love to share collectable, rare sapphires with You.
Platinum ring centring upon a cushion cut unheated Ceylon sapphire of 5.73 cts flanked by a pair of triangular cut diamonds to the handmade platinum ring
The cushion cut Kashmir sapphire of 3.26 cts is flanked by a pair of bullet cut diamonds and set with double prongs to the handmade platinum ring.
1930’s articulated platinum bracelet with a line of French cut sapphires flanked by two lines of old European cut diamonds
A cushion Orangy Pink Padparadscha sapphire weighing 3.01 cts is framed by single cut diamonds weighing 0.18 cts in an 18kt rose gold ring of hand brushed finish. Ring size 6
The Sapphire accompanied by GRS report number 2018020859 stating that the Orangy Pink Padparadscha Sapphire is unheated and from Madagascar.
An Unheated Sri Lankan Yellow Sapphire is set in the center of this detachable diamond flower pendant and brooch, with a amethyst bead and diamond torsade necklace and tassel by Cartier, 1970’s
Designed as a bow, pave set with white round and baguette cut diamonds and channel set with cut to fit square sapphires. American 1950’s
An unheated Ceylon sapphire of 4 cts set in a handmade, open work platinum ring set with old cut diamonds
A line of step cut square sapphires weighing approximately 8.9 cts and channel set to the articulated line platinum bracelet. American 1920’s
Unheated Sri Lankan sapphire weighing 7.13 cts set with variously cut diamonds to the platinum ring
Of by-pass or Toi-et-Moi design, with a pear shaped Burmese sapphire of 2.82 cts facing a pear shaped diamond of 1.20 cts to the tapered baguette cut diamond set platinum band. The sapphire is accompanied by a AGL report for natural, unheated and of Burmese origin. 1950’s American.
The central cushion shape sapphire sits in a navette shaped gold plaque set with old mine cut diamonds to the 18kt gold band. England 1890’s The central sapphire accompanied by an AGL report stating that the sapphire is unheated and of Cambodian origin
A line of unheated Ceylon sapphires set in rose gold, 1940’s
Of cluster design, centring a claw-set oval modified brilliant-cut sapphire framed by an open work border of similarly-set marquise-shaped diamonds and further framed by a border of brilliant-cut diamonds, the sapphire and diamonds together weighing approximately 4.40 and 2.85 carats respectively, size M.
Accompanied by a GIA report numbered 6194883911, dated 11 December 2018, stating that the sapphire is natural, with no indications of heating, of Sri Lankan origin.
Of foliate design, set with oval-cut sapphires, circular-cut pink and purple sapphires, and brilliant-cut diamonds, length 1.8cm
From Colombia to East Africa, Brazil or even Central Asia, we love the garden greens of these vibrant stones. We are committed to sharing them with You.
A square Colombian emerald of 7 cts is flanked by a pair of trialliant cut diamonds to the handmade platinum and 18kt gold ring.
Centering upon a fine 10 ct Colombian emerald surrounded by variously cut diamonds in a circular shaped brooch. Signed Tiffany & Co, circa 1910’s.
centering one oval carved emerald weighing approximately 11.4 carats by formula, edged and flanked by four old-European cut diamondsn in a surround of single-cut diamonds. Signed Dreicer, circa 1920.
Carat weight: emerald 4,81 ct
With report no. 1102096 dated 02/08/2019 from the
American Gem. Lab stating that the Emerald is from
Colombia with a clarity enhancement "none".-
of marquise shape, set with a rectangular step-cut emerald weighing approximately 1 carat, in a surround of European-cut diamonds weighing approximately 1.8 carats.Mounted in platinum and yellow gold. Circa 1915. With a certificate by the America Gem Lab. (AGL) numbered 1091957 dated 27 April 2018 stating that the emerald in of Colobian origin and no evidence of clarity enhancement has been detected
Centering upon a cushion Colombian emerald of circa 5 cts surrounded by two concentric rows of white round diamonds to the platinum ring
The Colombian rectangular emerald of 2.85 cts is flanked by a pair of long trapezoid cut diamonds to the handmade platinum ring. American, 1920’s. The central stone is accompanied by an AGL report certifying the stone as Colombian origin and with a minor degree of traditional oil treatment.
The square Colombian emerald of 1.89 cts is prong set and flanked by a pair of old European cut diamonds set in platinum boxes with long and thin baguette cut diamond accents to the platinum band. American 1930’s
A cabochon Brazilian emerald of circa 4.5 cts is flanked by 4 tapered baguette cut diamonds to the 18kt gold ring. Italy 1980’s
Centering upon an oval cut diamond weighing 1.09 cts and certified by GIA to be F colour, VS1 clarity. The central diamond is surrounded by 10 pear shaped emeralds circa 2 cts and 10 round brilliant cut diamonds circa 4 cts to the platinum shank.. American 1960’s.
Art deco 1920’s platinum bracelet set with 12 square Colombian emeralds and old cut diamonds. American.
A line of alternating cabochon Colombian emeralds and fine natural pearls set in platinum. 1920’s.
A large Colombian emerald drop suspended from a high carat gold necklace set with emeralds, sapphires and diamonds.
A 5 ct old mine Colombian emerald set in a devant de corsage or stomacher brooch with a foliate design set with old mine cut diamonds. Russia late 19th century.
We are passionate about sharing red rubies with You. From Burma or Thailand, from old world pieces to newly mined stones that we will make into bespoke pieces for you.
A central oval cut ruby of 2.21 cts is surrounded by a row of round brilliant cut diamonds and a second row of clusters of round rubies circa 0.65 cts and diamonds 3.5 cts. Signed and numbered. American 1960’s. Accompanied by an AGL certificate stating that the 2.21 ct central ruby is of Thai origin, unheated.
A central round Burmese ruby of 1.04 cts is surrounded by circular diamonds to the platinum ring accented by two diamond set bows. American 1950’s.
An oval Burmese ruby weighing 3.76 cts is flanked by a pair of half moon diamonds, prong set to the handmade platinum ring.
A platinum bangle bracelet channel set with circa 9 cts of square cut Burmese rubies. American 1920’s.
Unheated Thai ruby of 2.51 carts surrounded by diamonds and set in platinum
Precious objects to enjoy and admire. From boxes, to desk ornaments or evening bags. Moments of celebration or reflection, each item tells a story about You.
An 18kt mesh gold evening bag set with circa 3.2 cts of diamonds in platinum. Signed, numbered. France, 1960’s.
A 22kt gold bull and a platinum little mouse tell the story of “might is not always right”. Gimel, Japan 1990’s
Set to the front with a rose gold clasp and mount, accented by rose-cut diamonds, the reverse engraved Ruth, maker's mark VCA, stamped styptor, numbered
yellow gold, sliding lid set with lapis lazuli, signed, numbered '449/2' French and maker's marks 3.60 x 2.80 x 1.20 CM
